{"id":457,"date":"2026-01-17T08:00:46","date_gmt":"2026-01-17T08:00:46","guid":{"rendered":"https:\/\/sosyolojikalan.com\/?p=457"},"modified":"2025-12-19T11:15:21","modified_gmt":"2025-12-19T11:15:21","slug":"hepimiz-yamyamiz-claude-levi-strauss","status":"publish","type":"post","link":"https:\/\/sosyolojikalan.com\/?p=457","title":{"rendered":"Claude Levi-Strauss: Hepimiz Yamyam\u0131z"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" style=\"float: left; margin-right: 10px; margin-left: 10px;\" src=\"https:\/\/i.hizliresim.com\/5hejwxm.jpg\" alt=\"\" width=\"150\" height=\"225\" \/>Claude L\u00e9vi-Strauss&#8217;un &#8220;Hepimiz Yamyam\u0131z&#8221; (Nous sommes tous des cannibales) adl\u0131 eseri, bir kitap ele\u015ftirmeni g\u00f6z\u00fcyle de\u011ferlendirildi\u011finde, antropolojinin sadece uzak ve &#8220;egzotik&#8221; toplumlar\u0131 inceleyen bir bilim dal\u0131 olmad\u0131\u011f\u0131n\u0131, aksine g\u00fcncel modernitenin aynas\u0131 oldu\u011funu kan\u0131tlayan bir ba\u015fyap\u0131tt\u0131r. Eser, yazar\u0131n 1989-2000 y\u0131llar\u0131 aras\u0131nda La Repubblica gazetesi i\u00e7in kaleme ald\u0131\u011f\u0131 on alt\u0131 metinden olu\u015fur ve &#8220;deli dana&#8221; salg\u0131n\u0131ndan Lady Diana&#8217;n\u0131n \u00f6l\u00fcm\u00fcne kadar pek \u00e7ok g\u00fcncel olay\u0131 antropolojik bir s\u00fczge\u00e7ten ge\u00e7irir.<\/p>\n<p style=\"text-align: justify;\">Bu eserde dikkat \u00e7eken gereken temel noktalar \u015funlard\u0131r:<\/p>\n<p style=\"text-align: justify;\"><strong>\u2022 &#8220;Uzaktan Bakma&#8221; Prati\u011fi:<\/strong> L\u00e9vi-Strauss, kendi toplumu i\u00e7indeki bir ayini veya olay\u0131 anlamak i\u00e7in &#8220;uzaktaki yak\u0131ndakine \u0131\u015f\u0131k tutar&#8221; ilkesini kullan\u0131r. \u00d6rne\u011fin, Noel Baba&#8217;n\u0131n Dijon&#8217;da yak\u0131lmas\u0131 olay\u0131n\u0131 analiz ederken, bu modern rit\u00fceli Amerika yerlilerinin kachina&#8217;lar\u0131 veya Roma&#8217;n\u0131n Saturnalia \u015fenlikleriyle k\u0131yaslayarak, asl\u0131nda modern insan\u0131n da \u00f6l\u00fcler ve diriler aras\u0131ndaki kadim kar\u015f\u0131tl\u0131\u011f\u0131 nas\u0131l yeniden \u00fcretti\u011fini g\u00f6sterir.<\/p>\n<p style=\"text-align: justify;\"><strong>\u2022 Barbarl\u0131k ve G\u00f6relilik Tart\u0131\u015fmas\u0131:<\/strong> Eser, Montaigne&#8217;in &#8220;Herkes kendi al\u0131\u015f\u0131k olmad\u0131\u011f\u0131 \u015feye barbarl\u0131k der&#8221; s\u00f6z\u00fcn\u00fc merkeze alarak, k\u00fclt\u00fcrel g\u00f6relilik ile Ayd\u0131nlanma felsefesi aras\u0131ndaki gerilimi inceler. Yazar, kad\u0131n s\u00fcnneti gibi sars\u0131c\u0131 uygulamalar\u0131 dahi kendi ba\u011flam\u0131 i\u00e7inde a\u00e7\u0131klamaya \u00e7al\u0131\u015farak, okuru mutlak ahlaki yarg\u0131lardan \u00f6nce toplumsal yap\u0131y\u0131 anlamaya davet eder.<\/p>\n<p style=\"text-align: justify;\"><strong>\u2022 Modernitenin &#8220;Yamyaml\u0131k&#8221; Bi\u00e7imleri:<\/strong> Kitaba ad\u0131n\u0131 veren deneme, yamyaml\u0131\u011f\u0131 sadece ilkel bir beslenme bi\u00e7imi olarak de\u011fil, bir insan\u0131n bedeninden gelen par\u00e7alar\u0131n (organ nakli, hormon tedavisi vb.) bir ba\u015fka bedene sokulmas\u0131 olarak tan\u0131mlar. Bu perspektif, modern t\u0131bbi uygulamalar\u0131 yamyaml\u0131\u011f\u0131n bir t\u00fcr\u00fc olarak kavrayarak, &#8220;uygar&#8221; ve &#8220;yaban&#8221; aras\u0131ndaki s\u0131n\u0131rlar\u0131 belirsizle\u015ftirir.<\/p>\n<p style=\"text-align: justify;\"><strong>\u2022 B\u00fct\u00fcnc\u00fcl Zaman Alg\u0131s\u0131:<\/strong> Eser, tarih\u00f6ncesi sanat\u00e7\u0131lar\u0131n dehas\u0131 ile modern sanat\u00e7\u0131lar\u0131n portrelerini; genetik kodun yap\u0131s\u0131 ile dilin i\u015fleyi\u015fini yan yana getirerek, insanl\u0131k tarihindeki &#8220;kesintili evrimi&#8221; ve zihinsel yap\u0131lar\u0131n s\u00fcreklili\u011fini vurgular.<br \/>\nSonu\u00e7 olarak, bu eser antropolojinin sadece k\u00fct\u00fcphanelerde veya uzak adalarda de\u011fil, g\u00fcnl\u00fck gazete man\u015fetlerinin tam ortas\u0131nda ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6stermektedir. L\u00e9vi-Strauss, g\u00fcncel sorunlara bir etnolo\u011fun &#8220;basiretli karamsarl\u0131\u011f\u0131&#8221; ile yakla\u015f\u0131rken, okura kendi toplumunun ne kadar &#8220;arkaik&#8221; olabilece\u011fini hat\u0131rlat\u0131r.<br \/>\nBu eseri bir benzetmeyle a\u00e7\u0131klayacak olursak; &#8220;Hepimiz Yamyam\u0131z&#8221;, modern hayat\u0131n karma\u015fas\u0131 i\u00e7ine yerle\u015ftirilmi\u015f devasa bir periskopa benzer. Bu periskopun bir ucu g\u00fcn\u00fcm\u00fcz\u00fcn gazete man\u015fetlerine bakarken, di\u011fer ucu binlerce y\u0131l \u00f6nceki bir kabilenin mitosuna veya rit\u00fceline uzan\u0131r. Okur, periskopun i\u00e7inden bakt\u0131\u011f\u0131nda asl\u0131nda iki ucun da ayn\u0131 insanl\u0131k hakikatini, sadece farkl\u0131 kost\u00fcmlerle yans\u0131tt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Claude L\u00e9vi-Strauss&#8217;un &#8220;Hepimiz Yamyam\u0131z&#8221; (Nous sommes tous des cannibales) adl\u0131 eseri, bir kitap ele\u015ftirmeni g\u00f6z\u00fcyle de\u011ferlendirildi\u011finde, antropolojinin sadece uzak ve &#8220;egzotik&#8221; toplumlar\u0131 inceleyen bir bilim dal\u0131 olmad\u0131\u011f\u0131n\u0131, aksine g\u00fcncel modernitenin aynas\u0131 oldu\u011funu kan\u0131tlayan bir ba\u015fyap\u0131tt\u0131r. Eser, yazar\u0131n 1989-2000 y\u0131llar\u0131 aras\u0131nda La Repubblica gazetesi i\u00e7in kaleme ald\u0131\u011f\u0131 on alt\u0131 metinden olu\u015fur ve &#8220;deli dana&#8221; salg\u0131n\u0131ndan Lady [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[118],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-kitap-elestirileri"],"_links":{"self":[{"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=457"}],"version-history":[{"count":5,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/posts\/457\/revisions"}],"predecessor-version":[{"id":468,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=\/wp\/v2\/posts\/457\/revisions\/468"}],"wp:attachment":[{"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sosyolojikalan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}